HOW TO PROCESS
A solo-presentation at Pinta Miami 2019, invited by curator Roc Laseca, and represented by Galeria Mamey Eddy Guzmán.
An installation composed of mixed media sculptures, textiles, and manipulated photographs. The works are positioned to communicate a rotating pattern of continuous cycles within and upon us. The physical works are embodied through the structural language of architecture and institutional methods of display, yet envelop personal, emotive and environmental processes. The forms honor the element of water, and complement the logic of waves, through its rhythm, strength and softness.
TITLES OF THE WORKS OF HOW TO PROCESS:
* Individual photographs of the works are found in the Projects section of the website - click on the title to see image.
PROJECT: COLUMNS
Columna Descompuesta
2019, Cement, plastic, mesh, peroní seeds, metal, paint, 245 x 15 x 15 cm
PROJECT: TOPOS OF DISPLAY
Holder of Immensity
2019, Inkjet print mounted on acrylic, metal, 35 x 18.5 cm, edition of 3, regardless of size
Sonsbeek Torso under Arch being Held (Diptych)
2019, Metal, paint, plastic, cement, inkjet print mounted on acrylic, 44 x 60.5 x 2.5 cm
PROJECT: CYCLES
Fertile
2019, Fabric, thread, Peroní seeds from Lanza del Norte - North Coast of Dominican Republic, metal, paint 63 x 217 x 15 cm
La Ñapa
2019, Fabric, thread, plastic, metal 33 x 22 x 2.5 cm
La Ñapita
2019, Fiberglass, wax, thread, metal 11 x 18 x 2 cm
Adapting from Lanza del Norte
2019, Fabric, thread, sand from Lanza del Norte - North Coast of Dominican Republic, metal, paint, 67 x 132.5 x 12 cm
